It’s been a little while, my dear readers. It looks like the regular anime season is past the mid-point, so I should write something up about what I’m up to. If you recall, most of my current watch list consists of old anime on my backlog. I did make an exception for Cells At Work, which was recommended by MIB of MIB’s Instant Headache–an excellent recommendation.
Most of you are familiar with the idea and the format of Quick Takes, so I’m just going to jump right in.
Vampire Princess Miyu TV (1997-98) comes pretty close to being a masterpiece at ★★★★ 1/2. The closest anime to compare with this show has to be Hell Girl. Both share a female protagonist bound by fate whose closest companions are otherworldly beings–called Shinma in Vampire Princess Miyu. (The English translation simply used the Japanese word. “God-demon” is the most literal translation and the most confusing one. Often, one will see creatures like this just called demons despite the Japanese equivalent for what is usually meant by the word demon is akuma. Subbers should just borrow the term longaevi from the Latin, as this is the most accurate term for a host of beings in Japanese mythology.) While Ai Enma is summoned to send usually wicked people to hell, Miyu works by keeping her territory clear of stray Shinma. She’s often willing to ignore the presence of stray Shinma as long as they behave, but she’ll send them into the demon realm within a fiery inferno should they choose to prey on humans.
Pope Francis seems to want to reverse the consistent teaching of the Catholic Church on capital punishment. I’m sure that plenty of my dear readers have heard about how he intends to change the current passage in the Catholic catechism. It is important to discuss this change, because it has the chance to undermine all Catholic dogma. If the Church was wrong about whether capital punishment is an intrinsic evil, can we ever trust the Church about anything? Moreover, God Himself seems to strongly encourage capital punishments at certain times during the Old Testament. Is Pope Francis then saying that God commands people to do moral wrongs or that God is completely arbitrary? These are very troubling notions which really can completely undermine the authority of the Catholic Church.
Elijah slays a Prophet of Baal
Before I comment on the new one, let’s take a look at the old passage:
2266 The State’s effort to contain the spread of behaviors injurious to human rights and the fundamental rules of civil coexistence corresponds to the requirement of watching over the common good. Legitimate public authority has the right and duty to inflict penalties commensurate with the gravity of the crime. The primary scope of the penalty is to redress the disorder caused by the offense. When his punishment is voluntarily accepted by the offender, it takes on the value of expiation. Moreover, punishment, in addition to preserving public order and the safety of persons, has a medicinal scope: as far as possible it should contribute to the correction of the offender.
2267 The traditional teaching of the Church does not exclude, presupposing full ascertainment of the identity and responsibility of the offender, recourse to the death penalty, when this is the only practicable way to defend the lives of human beings effectively against the aggressor.
If, instead, bloodless means are sufficient to defend against the aggressor and to protect the safety of persons, public authority should limit itself to such means, because they better correspond to the concrete conditions of the common good and are more in conformity to the dignity of the human person.
Today, in fact, given the means at the State’s disposal to effectively repress crime by rendering inoffensive the one who has committed it, without depriving him definitively of the possibility of redeeming himself, cases of absolute necessity for suppression of the offender ‘today … are very rare, if not practically non-existent.’
So, the old statement says that the State has the right to use capital punishment in defense of society. At the same time, it offers the opinion that First World systems of penal correction are sophisticated enough to protect society from even very violent people; hence, there is no need for Canada, the United States, Europe, and certain other countries to have recourse to the death penalty. There are many developing countries where the prison systems are not so perfect, so that line of argument does not fit there.
This judgment of mine is coming a little late, but here goes. Yours truly has been browsing through the 2018 Summer Anime Chart and reading the opinions of various bloggers. At this point, I can honestly say that Summer 2018 looks like the worst anime season I have seen in a long time. The only show that piqued my interest was Dies Irae: To the Ring Reincarnation, because I wonder whether they can salvage the anime from the train wreck of the original season (★★). The best news about this summer is that certain good anime from the previous season are carrying over into this one, like Isekai Izakaya.*
I can’t think of a better opportunity for catching up with one’s backlog. Surely, you have some anime you’ve placed on the back-burner. (From casually browsing Anime-Planet, my Want to Watch list numbers 361 titles!) Now is the time to watch these shows. Anime is more than the year 2018 after all! This year counts as the hundred and first anniversary of anime, which began with Namakura-Gatana (1917), which means there’s more anime than the average fan can watch in a lifetime.
Three weeks is a long time to go without me writing on Medieval Otaku. The Muse has gone quiet on me, and I can’t but think it has something to do with how preoccupied I have been with work and everyday cares. I am reminded of the one whose faith is sown among thorns: “And he that received the seed among thorns, is he that heareth the word, and the care of this world and the deceitfulness of riches choketh up the word, and he becometh fruitless,” (Mt. 13:22). My writing has been anything but fruitful of late. Deo iuvante, this will change in the near future.
But, human beings are mutable The curious thing about the states Christ describes in the Parable of the Sower is that a person might go through all four conditions in his life: that of having his faith taken away by the devil’s blandishments, withered by persecution or fear of man, choked by the cares of the world, or bearing fruit many times over. What matters is for us to become good seed in the end by constant renewal.
Having written that, let me begin my seven quick takes, which may be described as seven random items of interest. Use the search bar to see just how random my quick takes can get. What’s written below will be no exception to that rule; though, perhaps less random than my ABC Award.
I’ve never read Dante’s Divine Comedy. Sure, I’ve read The Inferno, and I hated it thoroughly. Part of the reason, no doubt, derives from my hatred of hell. Ignorance also plays a part of my dislike. The verses are abstruse, and most of the damned count as personal enemies of Dante whom the world has forgotten. It is hard to make a simple translation of Dante’s verse. Prior to now, I had not gone further than ten cantos into The Purgatorio–no matter how many attempts I made to read it.
This post has been delayed for far too long. That I waited until this year to watch some of the best shows from last year contributed to the delay; though, laziness stands as the primary cause. It is remarkable that four of the top five were aired on Amazon and that one streamed on Netflix. Most of my anime is viewed by way of Crunchyroll, which often errs on the side of quantity over quality. (Not a bad thing if one wants a more complete experience of each season.) I have the impression that Netflix and Amazon have more resources to either contribute to making or culling the crème de la crème from each season’s lineup.
Having said that, I wish that I could have included a show streamed from that pillar of the online anime community. If this list had been made in January, I would have included a couple of them. And so, let me list a couple of them to begin with as honorable mentions:
Many people followed Violet Evergarden episodically over the course of the last season. I waited for the Netflix release and watched it in spurts of three to four episodes at a time. This is a good thing, because I could not imagine waiting a whole week for another twenty minute chunk of this masterpiece. If it were not for the rather complete ending offered by the first season, waiting for the second part would seem like an eternity.
Violet Evergarden excelled at many levels. The animation was spectacular–easily the best of last season. I loved how well they captured the look of Old World European cities for the backgrounds. Besides being very detailed, the backgrounds did a great job of conveying the mood: whether of a bright, sunny day in town or a dark night of death and chaos on the battlefield. The juxtaposition of war and peace in Violet Evergarden, the greatest tragedy against the great desire of mankind, makes for very powerful tale–as Leo Tolstoy also knew when he penned arguably the greatest novel of all time, War and Peace. Violet Evergarden uses the interplay of these motifs about as well as I’ve ever seen in any anime.
A.I.C.O. Incarnation found itself on my watch list very late in the season. Netflix is one of the last video streaming companies I look at—especially since they sometimes stream an anime after it’s aired. One nice bonus with Netflix, though, is that it has interesting options for a lover of foreign tongues like me: I can stream an anime with a English, Japanese, German, French, Spanish, or Portuguese dubbing. (That said, I still watch 95% of new anime in the original Japanese.) Subbing purists may be horrified to learn that I gave the French dub of A.I.C.O. a try and loved it enough to watch the entire series in that mellifluous tongue. Somehow, the anime of a biohazard threatening to destroy civilization and a girl trying to regain her lost family does not suffer from listening to the French dub—perhaps because the plot and setting diverged so sharply from stock…
If I learned anything from anime, it’s that a childhood friendship is basically an invitation to future romance. This is a truth gathered from Love Hina, Skip Beat, Nisekoi, and…just about every other anime in which there’s a road toward such a relationship. But in the Steins;gate anime series, things work a little differently. While it’s true that the childhood friend doesn’t always end up with the MC (see most of the above examples), Steins;gate goes one further: there’s barely a even a hint of romance between Okarin and Mayuri; the focus instead is on a relationship often neglected in anime: friendship between the sexes.
And the special relationship between Okarin and Mayuri is expressed in Steins;gate… as much as the original (spoilers ahead). Mayuri is always on Okarin’s mind. He values his other friends immensely, too, but Mayuri is on a different level. In…
I want to help spread this post around. Deluscar is a nice little blog, and Kai and his readers would surely appreciate anyone willing to help add some vitality to it. I am thinking about offering to write a guest post myself, but this opportunity is great for anibloggers just starting out.
There’s no denying I’ve been slowing down. I’m… uhh… getting a little bit on in years. And as I age, I find it’s harder and harder to get into the right mood to write. A long time ago, you can see a new post every few days or so, but nowadays you would be hard-pressed to even see a new post per month.
The Cat Returns strikes me as one of the lesser known Studio Ghibli titles. There was a showing in theaters on Monday as part of Ghibli Fest 2018. Today is the last day to see The Cat Returns in theaters, and I hope my dear readers are able to take advantage of it if they have the time. Because no one talks about The Cat Returns, I assumed it was a mediocre film. What I discovered on Monday was that it’s a splendid movie reminiscent of Alice in Wonderland and better than the Disney film of Lewis Caroll’s famous book.
Before talking about the film, I must mention how vexatious Fathom Event’s presentation of the movie proved to be. Having arrived twenty minutes early, I settled down to read some of Dostoyevsky’s short story “The Crocodile.” It’s a very amusing short story which mocks capitalism and socialism at the same time. The capitalist character basically lacks compassion for the poor and is overly academic. The socialist character, who happens to get swallowed by a crocodile early in the short story, does not even live in reality. This gentleman somehow manages to live after being swallowed by the crocodile and feels that his position, that of one cut off from humanity and in complete darkness, somehow qualifies him to propose new economic and social theories to mankind. It has to be one of Dostoyevsky’s funniest pieces, and I’d recommend “The Crocodile” to anyone with some spare time.
Well, I’ve delayed writing the second part of this series of posts enough to have watched Violet Evergarden in the meantime. As you suspect, I waited until Netflix released it. I have to say that Violet Evergarden stands head and shoulders above everything which came out in the winter 2018 season. So, I modified my last post such that it covers #10-7, this post will cover #6-2, and Violet Evergarden deserves a post of its own.
6) A Place Further than the Universe ★★★ 1/2
Many people have placed this show first for the season. In my case, this genre is so far from one of my favorites ( my favorites being fantasy, action, and comedy) that A Place Further than the Universe had no chance of rising so far–especially with its standard quality animation. Kudos still goes to this show for how eager I was to watch it every week. In a more usual season, where there are more subpar anime, it would have risen higher on the list.
Violet Evergarden’s final episode is an episode largely of catharsis, and it is one that I, and many others, have wrestled with. In many ways, it brings us to the logical conclusion of the show, or rather to the stopping point for this portion of Violet’s story that we receive. In truth, I have watched this episode numerous times over, mulling its events over in my head, and it has been a process of numerous revisions to how I have come to finally view this last piece of Violet’s story (for now, anyway). Through this, I have found that my thoughts have changed significantly in more recent viewings. This final episode, depending on your reading of events, can be quite clear-cut on the surface, or somewhat more muddied as you dive deeper into it. It does give Violet a great sense of closure, a lifting of burdens, a renewed…
I have not written many posts on the past season, but I managed to keep up with nine anime.* Yes, that’s one more than I noted in my mid-season review and two more than I started with. This season displayed good quality overall. None of the following shows fell below three stars. At the same time, none rose above four. I thought that Kokkoku: Moment by Moment might have broken into the masterpiece or classic range, but it did not do enough with its unique cast and setting. The plot slowed down after the first third of the show, and not much really happened over the course of twelve episodes.
Anyway, the following season review will be broken up into two parts. The first part includes the bottom four. The second part will include the top five. I hope to have that out tomorrow.
10) Takunomi ★★★
Here’s a short about four female roommates exploring the world of alcoholic beverages together. (That four women live in the same apartment rather highlights how expensive living in Tokyo is. Though, rooming with someone in early adulthood is pretty common.) The characters were all very likable and some scenes were outrageously funny. Exempli gratia:
With the close of the Winter 2018 season, the staff at Beneath the Tangles have decided to look back at the previous season and ask the following questions: What was the biggest surprise of the Winter 2018 season? What was your favorite series?
With all that in mind, we have an amazing and varied staff – so I can’t wait to see what everyone enjoys! Check them out below:
What a milestone! The sixth anniversary of Medieval Otaku! Most blogs only seem to last for two or three years, and so I’m happy to have dragged myself this far. It’s really no surprise that most blogs are done after two or three years: the circumstances from which one started have changed by then, and one might want to go on to something different. I have taken quite a few breaks when my own enthusiasm has flagged. Somehow, I still want to keep up with this hobby, and for that I can only thank my dedicated readers for all their support.
As we are on the brink of a new season, I just want to briefly list all of the new shows which have caught my eye. Then, I’ll give a brief program of the kinds of articles to expect in the near future.
I should get on with this review before this season gets any closer to the end. Many anime have already released their tenth episode by this point! Let me just note that you should be seeing my top five anime of 2017 and a quick takes post on the various anime I’m consuming right now in the near future. Before I wrote a definite top five list, there were a couple of shows which I wanted to try. Am I glad that I did: these two anime took the first two places with five stars!
At any rate, below are my thoughts on the now eight anime I’m watching from the current season. I decided that I had room on my schedule to add the short Takunomi, which I’ll be comparing to Osake wa Fuufu ni Natte Kara.
1) After the Rain
Here’s a show which has seen an endless number of bloggers comment on the premise. Is it right for the 17 year old Akira Tachibana to desire a romantic relationship with the 45 year old Masami Kondo? How appropriate is such a relationship? It’s not appropriate at all: Kondo’s wife is still alive. Kondo would sin if he began another romantic relationship, and Akira likewise if she were to become his partner.
Well, that took twenty-nine days rather than ten! The last time I completed another hundred anime, it also took longer than ten days, leading me to dub the series “Dragging Myself to 400 Anime.” (To be precise, I now have 503 anime under my belt. I’ll tell you about those extra three sometime later.) On a side note, a few people have sent me questions through “Ask Medieval,” and I hope to get to those soon. The query I received about Wolf and Parchment, the sequel to Spice and Wolf, might take a little while. It’s hard to get used to Col and Myuri after spending so much time following the travels of Holo and Lawrence. But, I’ll get through volume one soon enough.
Myuri is apparently only ten years old, by the way. Too young to go adventuring!
Anyway, a lot is on my plate–including mid-season reviews! For now, please enjoy these brief reviews of the last three movies in this series. Following the reviews will be the rankings of all ten movies.
So far, Time of Eve has the lowest rating of the movies in this series. The fault lies more with the constraints of the format than the story itself. The movie condenses a six episode OVA into an abridged version of one hour and forty-five minutes. Abridged versions can work: many people praise the Vision of Escaflowne movie–even over the original TV series. As for myself, Escaflowne is one anime I never wanted to see the end of, so I’ve never given the movie much thought. With Time of Eve, so much of the story revolves around what’s going on in the character’s heads and the state of their society. So, abridging our heroes’ journey does the story a disservice. The audience wished to be immersed in the intellectual lives of the characters, which takes more time in film than in print.
The movie focuses on how we should treat androids/robots if they became conscious or self-aware. Blade Runner touches on about the same theme. It’s fun to dabble with ideas like this in fiction, but it’s a materialistic fallacy to believe consciousness correlates to intelligence or programming of some sort. Computers can be very smart: they can now best both chess and go professionals. Computers may even soon have programs which allow them to learn like a human being would. But, learning and smarts can’t bestow a soul on something. A mind aware of itself, capable of meditating on first principles, and able to ponder its highest good is a distinct gift given by God to persons–whether human or angelic.
Here’s a classic everyone has heard of, but I only watched it a few days ago. It’s a very emotional film. Knowing that, I steeled myself against the tragedy I knew was coming, which was probably the wrong way to watch the film. Instead of riding the emotional rollercoaster, you might say I watched the ride sitting on a bench somewhere with a soft drink. The result was that I examined the tragic flaws of our hero rather than grieved over the tragedy of the orphans’ plight. My focus was on why they suffered instead of the how they suffered.
In the case of firebombing the Germans and the Japanese in WWII, I can never reconcile myself to the legitimacy of this form of warfare. With the nuclear bombs, one can legitimately claim destroying industrial parks and dockyards as the main objective, while terrorizing the enemy into surrender as the secondary objective. Incendiary bombs, especially of the sort used in WWII, have no effect on factories built with steel and cement. Firebombs work much better against wooden houses–especially houses of Japanese design. When it comes to firebombing, terrorizing the enemy is still the secondary objective, but destroying civilian homes and killing non-combatants becomes the primary objective.
Gasaraki is one of the classic mecha anime. “If it’s a classic,” you ask, “why have I never heard of it before?” Despite the great animation (at least, to a connoisseur of 90’s anime like myself), many layers of intrigue, a unique plot, and great mecha battles, the dialog can be very abstruse–so abstruse that I switched from the Japanese to the English dub after four episodes. Esoteric anime generally don’t enjoy much popularity.
After four unintelligible episodes, the dub is a great improvement. The person who wrote the English script must have worked with the same translation, but he elevated the translation from “translationese” to proper English. Some of what occurred still went over my head, but the enigmatic nature of some of the dialog made me meditate longer about what the show was about. The show juxtaposes the individual against collective or group structures to highlight the…