You probably won’t be surprised that my favorite anime of 2015 was none other than Arslan Senki. The only other anime I rated at four and a half stars was Eden of Grisaia. Very few anime have parodied the harem genre so well. I especially loved the hero’s resemblance to Sousuke Sagara of Full Metal Panic! and the show’s finale was nothing short of amazing. However, Arslan Senki‘s quality animation, fascinating setting, and equally intriguing characters gave it the edge over its competitor. Also, as an enthusiast for all things medieval, the realistic depiction of chainmail:
Usually, I try to write a post like this closer to mid-season. A colleague at Beneath the Tangles reminded me that reviews of this season’s shows will be coming soon, so I better collect my thoughts, right? I hope to write another post soon in the next few days on the older series which have taken up part of my leisure.
1) Aoharu x Kikanjuu (aka Aoharu x Machinegun)
Overall, this show has struck me as above average with its fun and unusual characters and absorbing action sequences. The most interesting moment for me thus far **Spoiler Alert** occurs when Midori, whom Aoharu had mistaken for a gentleman ere the Top Gun match, revels in crushing team Toy Gun. He claims that losing in airsoft is worse than dying on the battlefield because one has to live with the humiliation of defeat. Midori says that there is nothing else like being proclaimed dead and not dying. Aoharu and her teammates are crushed by despair, because Midori’s team was the one team they hoped to vanquish.
How are my dear readers enjoying the new anime season? On my side, I’m enjoying all my picks, though one show notably falls short of the rest in quality. At any rate, these kinds of posts tend to run long, so let’s jump right into the anime.
1) Aoharu x Machinegun
Here’s a lighthearted comedy with just enough seriousness to make the plot interesting. The first episode featured our heroine, Hotaru Tachibana, being dragged into an airsoft team after picking a fight with an innocent host, who happens to be her neighbor. The matches thus far have been quite suspenseful. Even though the characters are not terribly original, the anime manages to immerse the viewer in their struggles and keeps the viewer eager to watch each new stage in our heroine’s journey. Another plus is how much it reminds me of my favorite show of last year: Sabagebu!
For some reason, American mob films have never appealed to me; however, I’ve yet to run across a bad yakuza anime. Curiously, of the shows Anime-Planet users recommend to fans of Gangsta!, I’ve seen all except Michiko to Hatchin and have enjoyed the rest. Gangsta! sets itself apart from other yakuza anime in having better world building. Only Gungrave comes close to it in this regard. The heroes fascinate one by how they try to live in a world of violence and exploitation with some honor. The sword vs. gun fights are utterly unrealistic, but most of the fights are very exciting. However, fans who don’t like bloody violence, sexual situations (the show has eschewed explicit sex thus far), or nudity should give Gangsta! a wide berth.
Initially, I was not too keen on watching Maria the Virgin Witch (aka Junketsu no Maria); but many posts on the show inflamed my desire to do so, and Kaze’s comments in the 8th podcast of Beneath the Tangles proved to be the final impetus. In any event, I gobbled up these twelve episodes in three days. The show obviously derives from a liberal mindset, but it’s not as unfair to the Church as many other liberal takes on the Middle Ages. The reason for this lies in the author having a decided interest in the Middle Ages and Church history; though, one wishes that he had added a double dose of Catholic theology to his studies. But, in this post–presented in the Quick Takes format, I wish to write about how well the show represented the Middle Ages. I’ll talk about its philosophy another time.
-I: Weapons, Armor, and Battles-
The armor, weapons, and battlefield tactics employed at this period in history are all very well researched by the author. Not a single piece of armor or weapon is anachronistic or incorrect. There are problems with the sword and buckler fights and with how well two-handed weapons are sometimes wielded in just one hand. Also, there is an obvious absence of chainmail, but that can be explained by the difficulty of animating a coat of rings.
I like how the anime features primitive examples of the firearms which were first coming into use. The depiction of Britain’s standard defensive tactic relying upon longbow archers protected by men-at-arms was perfect. I also can’t remember the last time in an anime medieval soldiers wore gambesons, the padded coat which most soldiers could afford as armor.
Well, here’s another set of quick takes for you. Once again, they have been inspired by Nami’s Quick Takes on The Budding Philosopher. I feel like I should post, but don’t have energy to concentrate on writing a proper post. May you enjoy these quick takes!
My laptop adapter broke. So, I’ve been relying on my smart phone for the past while, which is the least pleasant way to browse the internet. At any rate, I’m happy to report that the replacement adapter has arrived. So, I hope to make up for lost time in reading my fellow bloggers’ articles.
Pennsylvania produces my favorite beers. I love beers from Weyerbacher, Yards, Victory, Sly Fox, and Troegs. One unpleasant surprise I had in regard to these beers, however, is that the Troegenator doppelbock–at least, the last time I had it–actually tasted pretty bad. As my friend said, it tasted like malt liquor, which is sad because the Troegenator launched my interest in the realm of craft beer. Troegs brewery seems to have made up for it in their Cultivator Helles Bock. The flavor is quite fresh with a creamy mouthfeel and notes of biscuit and raspberry. Very good stuff!
I have remarked on Twitter that watching Historical European Martial Arts and Oriental Martial Arts videos has made it more difficult to enjoy anime sword fights. Either the fight needs to be outlandish enough for me to completely suspend my disbelief–like the fights in Jubei-chan II–or bear a significant degree of realism–like those of Carried by the Wind: Tsukikage Ran. (No, I’m not going to spoil any of the fights for my dear readers. You must watch the show if you haven’t seen it!) On the other hand, the eighth episode of Akame ga Kiru went to neither extreme, which left me cringing at their bad techniques and scientifically impossible feats. The bad techniques went far beyond General Liver and Bulat standing in place and exchanging lightning fast cuts and parries in a manner reminiscent of the later fights in DBZ. I know that Akame ga Kiru is fiction and that I should not expect moves out of the Codex Wallerstein–as awesome as that would be; but, bad swordplay will detract from anyone’s enjoyment of the fights. A friend of mind who cares nothing about HEMA even noticed that the fight was badly done!
But, let’s start here in my highlight reel of bad swordplay:
If you remember the fight, Bulat takes out the fighters behind him with kicks and bisects the opponent before him simultaneously. There are many problems with this nonsense: 1) One does not stay in the middle of multiple opponents, but attacks the closest one and attempts to tangle up his foes by out-positioning them (e.g. 4:40 into this video); 2) Two side kicks delivered simultaneously would have no power; 3) the bearded enemy to Bulat’s front, being closer, should have been struck down first no matter how you look at it. Tatsuki ogles at Bulat’s awesome technique, but I look at this scene as pure laziness by the animators.
Next one’s a doozy:
Remember how high Tatsumi jumped to deliver this strike? Akame ga Kiru loves showing these ridiculously high jumping attacks, but they should all be epic failures. Remember when you caught fly balls in little league? Essentially, that’s how devil kid should have approached this situation and taken Tatsumi out with a strike to his back. Who in their right mind would block a strike that started a hundred feet high? Also, Tatsumi misses his first chance at slicing off devil kid’s fingers.
The third one stands as the worst shot of the whole fight:
If you watched the footage carefully, you’ll notice that Tatsumi blocked well ahead of the strike, and the devil kid obligingly attacks his sword. Why? Tatsumi’s arms are actually ahead of his weapon and a much easier target!!! This was just wrong, I tell you!
And we have a good parry from Tatsumi, but…
…he neglects the obvious counter-cut and the fight continues. Nevermind, this is a terrible parry. See how far Tatsumi needs to extend his arms? They’re even locked, which is a huge error! How much easier to simply draw back a little, let the strike pass, and deliver a solid cut in the opening left by devil kid’s attack?
Three things need to be said about this picture:
Lindybeige has an excellent video on this very common position which we see in movies and TV shows. There’s an additional point to make here that the devil kid’s fingers have no protection whatsoever. Tatsumi could easily slice them off! Then, let me reiterate two more points Lindybeige makes: 1) This is a very bad and unnecessary position to be in–whoever moves first wins; and 2) Tatsumi should have half-sworded into his foe’s neck. Yes, you can grab a sharp sword with your bare hands–you really can!
The following pictures suffer from the same defect:
Neither of the fighters’ swords have proper hand guards. Bulat’s cut should have traveled down the blade and through Liver’s fingers. In the second, either opponent has that option. A guard of some kind, even a simple cross guard, must be part of a sword if one means to bind with it. Ancient swords had no guards because they were always used in conjunction with a shield. And no, it is not unchivalrous to cut your opponent’s fingers off! We see it in European manuals, and the world of Akame ga Kiru has no chivalric code to speak of!
That concludes the glaring defects I found in this battle. Did anyone like the fight? Sheele’s final battle in episode six is so far the best fight in the series. It followed my rule of being so outlandish as to suspend my disbelief.
While browsing through my manga app, I ran across a manga titled Ookami no Kuchi: Wolfsmund. At first, I was delighted to find that it was a manga based in 14th century Switzerland and that the artwork was quite brilliant. However, it was disconcerting that it began with an execution of a Swiss freedom fighter; yet, stories that begin darkly often feature stronger struggles and make a happy ending more compelling. So, I decided to read the first and then the second chapter.
The first chapter was pretty grim. A knight tried to smuggle the executed freedom fighter’s daughter across the border, because the tyrannical lord wished to execute his entire family. Goaded by a claim I found on Baka Updates saying: “The author pulls no punches to show us just how brutal and inhuman the Middle Ages really were,” I must point out certain flaws in the manga on this point. First off, it would be incredible for a medieval king to wish to wipe out a family’s womenfolk. Most would not even make a serious attempt to kill all the men as long as they no longer posed a threat. Exile and imprisonment were much preferred means of punishment until around the time of the Protestant Reformation, where the masses of people executed on both sides for heresy seems to have dulled people’s qualms about capital punishment.
Anyway, the daughter disguises herself but she and the knight end up being discovered by the noble running a checkpoint known as Wolfsmund (Wolf’s maw). The knight is killed by crossbowmen and the lady executed on a chopping block. Medievals never executed women unless they were found guilty of witchcraft. The attitude of a 19th century American on the topic of hanging a woman differed not in the least with the attitude of a medieval man on the subject. But, in this manga’s favor, I must note that the style of fighting employed by the knights, which uses the hilt and pommel as well as the blade, is very accurate–even if finishing one’s opponent off, which the lady’s knight was compelled to do, was not.
Anyway, having been depressed by these events, I pressed on to the next chapter, wherein it is revealed that the freedom fighters are making great progress in ousting the tyrant ruling over them. A pair of lovers is separated because the woman, a very capable fighter herself, is given a mission to pass beyond Wolfsmund to transport back money from a Florentine bank. Need I say that a woman traveling alone is unheard of in the Middle Ages? Especially in the disguise of an old woman? That’s a very easy way to arose suspicion! Better would have been to disguise herself along with a compatriot as nuns. As it turns out, the poor girl is discovered by a trick the nobleman plays on her and thrown into the dungeon.
From which, she herself manages to escape, only to be cornered atop a wall and killed by a thrown sword. Now, the broadsword, unlike the katana, was never intended to be thrown. The weight is balanced too close at the hilt. The first throw does hit the girl hilt first, which is the most likely way it would land; while the second pierces her back–a blow only possible through incredible good luck. Then, her corpse is displayed on a wheel–I did not turn the next page to see exactly how they displayed her corpse, but it must not have been pleasant. At any rate, though male enemies’ corpses were sometimes displayed and mutilated during the Middle Ages; I doubt that a woman’s corpse ever suffered the same fate. Despite popular opinion, medievals were not barbarians, and I suspect such an action would have brought the censure of the Church.
At this point, I got the picture that the manga would consist of failed attempts upon the gate and the cruelty inflicted on the trespassers by the nobleman in charge of it. No enduring protagonist had emerged yet, with the exception of the female owner of an inn (women owning inns was probably not uncommon at the time), who seems unable to help the good guys. And so, I put down this novel which concerned itself more with exploring human suffering than telling a good story.