The Halloween season has given me some impetus to think about the horror genre. A while back, an academic named E. Michael Jones was on the Patrick Coffin show explaining how he thought about the horror genre. He has written at least two works on this subject: Monsters from the Id: The Rise of Horror in Fiction and Film and Sex with Monsters. Jones believes that the modern horror genre arose as a reaction to the free love movements of the 19th century and reached its full flowering following the Sexual Revolution. Many persons were hurt by the myriad problems which inevitably arise from sexual licentiousness and enjoyed a cathartic reaction from a central message of many horror stories: sex can kill you.
School Days might be the anime locus classicus for such a theme, but my dear readers know–know even a priori–that playing Don Juan for a length of time is going to lead one to embarrassing, painful, and even dangerous situations. People don’t like being used as playthings, and the relatives of the playthings take an even dimmer view of such conduct. The fact that one’s partner consents to the relationship does not take away from the feeling of being used. The Sexual Revolution tried to paint promiscuity as a desirable thing, even promoting contraceptives and abortion so that women could participate in “consequence- free” sex.