Day 3 of 10 Days to 500 Anime: Millennium Actress

I had forgotten that Satoshi Kon directed Millenium Actress until his name rolled across the opening credits.  Even if one had missed his name, the quirky Satoshi Kon method of transitioning from scene to scene would have tipped me off.  Millennium Actress reminds me of Perfect Blue.  The two movies have many points of comparison; yet, their treatment of living in a fantasy world are very different.  You might call Perfect Blue‘s treatment of fantasy and delusion via negativa, while Millenium Actress stands as a via positiva.  I’d love to read any blog posts comparing and contrasting the two.  Send such a blog my way if you’ve written one, dear reader.  I’ll reblog the first three of you!

Millennium 5

Millennium Actress covers the life of Chiyoko Fujiwara from her teens in WWII Japan to her old age in contemporary Japan.  The movie is a framed story, with Chiyoko’s life being the center and the interview of Chiyoko conducted by Genya Tachibana, a very avid fan, with his assistant in modern times framing the tale.  Amusingly, Genya and his assistant–in the fashion of how Satoshi Kon mixes reality and fantasy–appear to film her life as if they were right there beside her.  I won’t spoil just how much Genya participates in Chiyoko’s life, but there’s not another movie which uses quite the same idea.

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