Day One of 10 Days to 300: Tokyo Godfathers

The first time this movie came to my knowledge was during junior year of high school.  The disease known as otakuism just infected me through Inuyasha and Rurouni Kenshin.  The magazine Anime Insider became my second favorite monthly publication after American Hunter.  (Due to our father never taking my brother and I shooting, Anime Insider soon became my first.  That which one can realize is ever superior to that which one must dream about!)  When the new issue of Anime Insider was released, the most important task of the day was to absorb all the material it contained from the Editor’s Letter to the Parting Shot; though, I confess that The Death of the Month was my favorite recurrent feature.  Around this time, the magazine must have praised Tokyo Godfathers.  And so, I recommended to my father that we watch this movie.  (He had become interested in anime through Vampire Hunter D, Princess Mononoke, and Rurouni Kenshin.)  However, the inclusion of a transvestite among the main characters caused him to strike down this recommendation.  Being an obedient child, I decided that this was sufficient cause never to watch this movie myself.

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After ten years of hearing praise concerning this film, I included it among the choices for the present series, “10 Days to 300.”  A part of me was surprised that it made it to the #1 spot in the poll, but after watching the film, I can see why so many people love this movie.  The presence of the transvestite bothered me a little at first until I accepted the character as he was.  Hana is the highest minded of the three characters, which is shown by his knowledge of Dostoyevsky and predilection for composing haiku on the fly.

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The thing which surprised me most about he movie was the degree of action it contained.  Gin, the bearded protagonist, remarks that he’s no action movie hero.  Naturally, he later features in some of the hairiest situations in the film.  As expected, the film probed human nature, had great characters, and featured excellent comedy.  Miyuki, the runaway, gives some of the best laughs.  Aya Okamoto does a superb job voicing her, which makes it a shame that she has not done any other anime roles and seems to have retired from acting after Metro ni Notte (2006).

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Overall, the film stands as a great work.  It earns high marks for its story and characters, each of whom has an interesting story about how they wound up on the streets.  Themes of family and forgiveness run throughout–important for a country which seems to dislike the positive use of the verb yurusu “to forgive.”  These themes were rendered yet more touching by the action being set on Christmas.  Also interesting is the theme of Providence–that Kiyoko is especially blessed by God.  I must say that the climax of the movie and that Gin’s relationship with her causes him to come into possession of two bottles of Hennessy V.S.O.P. certainly prove it!

Who says the two shall never meet?

Who says the two shall never meet?

If any of my readers have not seen this film, I recommend them to do so–nevermind Hana!

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Inuyasha and Beating the Devil

Inuyasha stood as my third favorite anime, but finishing Inuyasha: The Final Act gives me no choice but to bump it back into second place ahead of Code Geass.  Yes, the final installment of the series was enough to cover for any faults in the first several seasons.  The whole series focuses on the battle between good and evil.  Such shows and books are a dime a dozen, but Inuyasha parallels reality closely enough to catapult it to greatness.  In particular, Naraku very nearly captures the attitudes and wiles of the devil, and Inuyasha and his friends show how to beat the devil.

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#1 Good always wins.

This is the first and most important rule.  One must always act with this truth in mind lest one be taken down by despair.  Even if we are plagued with defeats, we must remember that an All-Powerful and All-Merciful God desires to hand us the victory which He won for us, and so we have great reason to hope, do penance, and continue doing good.  Naraku in particular tries to fill Inuyasha and his friends with despair.

The only thing to do is to keep fighting without believing the evil one’s lies.  As St. Anthony of the Desert (from whom I draw many of these maxims) said, Christ has defeated Satan so that the devils are powerless–they can only threaten.  They are no more than playthings for us Christians no matter how frightful they appear.  Christ always is ready to give us the power for victory, unless too much pride prevents his grace from being efficacious in us.  But these very falls provide reason for humility and allow for us to be victorious through God’s grace later.

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#2 Evil is best fought by the greathearted virtues of faith, hope, charity, and courage.

We see this especially in scenes like Sesshoumaru unhesitatingly entering the insides of Naraku, who has become a giant spider, in order to save Rin or Inuyasha jumping into the underworld to save Kagome.  Also, the utter reliance Kagome places in Inuyasha offers us a great symbol of faith: she does not fear falling into dark abysses, knowing that Inuyasha will save her.  We Christians should also not fear the darkness, knowing that we not only have a powerful savior, but an omnipotent and omnibenevolent Savior.

Evil cannot be conquered by excessive anxiety or worrying.  This is the fault of scrupulous people.  (Yours truly is guilty as charged.)  If we have excessive worry in our hearts, the devil will play upon these fears until we cannot perceive real goods or begin to fall into more vices.  Yet, if our hearts are filled with faith, hope, charity, and courage, all hell breaking into pandemonium cannot scare us.  Hence, it is important to fight evil with the greathearted virtues.

St. Anthony the Abbot doesn't look scared at all, does he?

St. Anthony the Abbot doesn’t look scared at all, does he?

#3 Remember Mercy and show mercy.

We are all weak and fall often.  Therefore, it is important to show mercy to one another, and to hope for mercy–even though all mercy is unmerited.

This is exemplified by things like Kagome forgiving Inuyasha for wounding her–the lover forgives her beloved.  In a similar way, the Church is the Beloved of God, who is more infinitely merciful than any human lover; and so, we have full reason to hope in receiving God’s mercy.  Then, we also have Sesshoumaru’s forgiveness of Sango for attempting to cut down Naraku by cutting through Rin in order to save Miroku.  Fortunately, Rin is not cut down, and Sesshoumaru completely overlooked Sango’s sin, for which she confesses to deserve punishment.  Though there is no forgiveness scene, the fact that Sango has three children at the end proves that forgiveness must at least have been tacitly given.

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#4 Even though we fall, don’t surrender.

Consider the mistakes Inuyasha and the gang made above.  They do not excessively grieve over their faults as to stop trying.  Rather, they continue to fight and refuse to give in to despair.  Miroku and Sango are particularly anguished by the prospect of the wind tunnel devouring Miroku; but, refuse to give in to despair, even though they come very close.

We are only human beings, not angels after all.

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#5 The devil lies and ought not to be heeded, even when he speaks the truth.

The devil is “the father of lies.”  Therefore, he ought never to be heeded.  Even when he speaks the truth, it is so that he can twist it to his own deadly purposes later.  Thus, Jesus Christ even silences the devil when he truly calls Jesus the Holy One of God.

In the same way, Naraku constantly lies or uses the peril of the situations to induce despair.  Sesshoumaru is perhaps the best at picking up on Naraku’s lies, especially where he quietly ignores all the illusions Naraku places before him of Rin.  (Indeed, silence and a calm mind are two great weapons in the fight against evil.)  And Inuyasha has this great line: “I’m sick of listening to you!”  In the same way, we should ignore the evil one and live our daily lines focused on doing good and our duty.

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#6 Though victory is assured, the struggle will take a very, very long time.

Inuyasha ran for a good 56 volumes, 193 episodes, and four movies in toto.  The struggle against evil in our lives and against our own vices will continue until death.  But, we must imitate Inuyasha and his friends in fighting this battle with perseverance and magnanimity until all our vices are pulled up by the roots.  Our Savior wishes this very thing.

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#7 Evil is small-hearted, mean, essentially nothing, and for nothing.

Kagome beautifully brings this out in a speech toward the end of the final battle.  Naraku lives merely to destroy.  He destroys relationships, friendships, families, and lives; but, for what?  No benefit ever accrues to him except that hollowest of pleasures: the delight in seeing another’s pain.  In the same way, the devil is the hater of all good and so truly deserves to be despised.

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However, Kagome’s speech brings out a very sad point: Naraku, while still a man, desired to be loved by Kikyo, but he gave in to despair and envy, which allowed him to be possessed by demons.  There are even hints in the show that a part of him wants to be good and to love others.  Rather than follow these good impulses, he actively strives to eliminate them.  These choices resulted in him becoming the evil creature that he is.

Hence, though we can gaily trample upon the devil and his designs, we should pity and pray for our fellow men who have fallen so low.  Remembering that if not for the grace of God, we ourselves would be in the same sorry state.

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Long Awaited Manga Reviews

Remember how I promised  that other half of manga reviews a very long time ago?  Here they are!  My promise of that time and the one made just a few hours ago doubly bound me to write these reviews, and I hope that they shall be to your pleasure.  If not, may you enjoy your displeasure.

Picture of good ol' Revy.

Picture of good ol’ Revy.

The titles which I propose to review are Genshiken, Kurenai, Sengoku Youko, and Hanako to Guuwa no Tera.  The last one is a horror manga which I highly enjoyed.  Horror stands as one of my least favorite genres nowadays.  In the past, I used to get a kick out of watching Hammer Films’ Dracula films and werewolf movies of all sorts.  It was fun commenting on how the movie makers would mess with the lore attached to these creatures.  I loved the Gothic style of the vampire genre, and the fright of a big bad wolf coming at one with your only hope being a well placed silver bullet.  Now, horror movies are overly gory, and I find myself less intrigued by them.

Christopher Lee as Dracula

Christopher Lee as Dracula

Hanako to Guuwa no Tera by Sakae Esuno attracted me from the start because they melded horror with the private eye genre.  Our hero runs  an agency dedicated to ridding the world of harmful “allegories.”  These allegories are based in Japanese folklore or the fads of popular culture.  The interesting thing about the monsters here are that they derive from people’s unbalanced states of mind.  The detective, Daisuke Asou, has collected a couple of allegories in his line of work, some of which give him power.  One, named Hanako, acts as his information gatherer.  Our story begins when Kanae Hiranuma seeks Asou’s help in ridding an allegory which has been haunting her: the axe man under the bed. For this reason, she has not been able to sleep in days and is petrified to stay in her own room.  Doesn’t it sound childish?  This haunting begins a long, happy relationship for the two of them.

Don't worry.  It's available in English.

Don’t worry. It’s available in English.

This story really shines in the way the author delineates relationship between the characters.  This draws one into all the struggles which they endure against allegories, and the wide variety of opponents keeps the reader turning pages.  This manga has ended in 2010, and consists of just nineteen chapters.  The manga also really shines in creating a likable couple.  Too many series have rather annoying couples, which make one wish that the author had not bothered with a love interest.  But, Kanae is quite capable, and there is the right amount of tension between the two to make for an interesting dynamic.  I recommend this better than average manga to you horror fans out there.

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Now to review the most problematic manga for me: Genshiken.  As many of you know, this manga focuses on the otaku lifestyle of the club members of a club known as Genshiken, which means Society for the Study of Modern Visual Porn–I mean, Culture.  My biggest problem with this manga must lie in that I am not otaku enough to relate to any of the characters.  As a matter of fact, Saki is my favorite character, and she only joined Genshiken so that she could hang out with her lover, Kousaka.  I can’t help but feel sorry for her in that Saki must endure the porn and ero-game loving ways of her partner.  Now, this makes for great comedy, but a guy has absolutely no excuse for using pornography if he has a lover.  After all, is not having the thing better than a mere vicarious experience?  Anyway, Saki herself brought up this complaint.  She has the patience of a saint when it comes to dealing with the idiosyncrasies of her boyfriend.  (Not that  I approve of sex before marriage, but such relationships at least offer the chance of leading to marriage, while pornography is engaging in an empty activity.)

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At any rate, a college freshman named Sasahara is brought into the group and enmeshed into their otaku lifestyle of ero-games, anime, conventions, porn, and video games.  The story often succeeds in being hilarious; but there are too many problems of identification for me, and their preoccupation with porn irritates me.  So, I won’t be getting the second omnibus volume.

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Even bald men deserve to be loved.

Kurenai is a real joy for me to read.  The fights are very well done, and the humor driven off of the harem situation is most amusing.  Women can’t seem to help falling for the strong, modest, reliable Shinkuro.  But, the author presents us with some very likable characters, even if some characters are rather stock–heck, all of them might be stock characters to tell you the truth; but, that only speaks to how well the humor and plot are executed.  This show also uses a favorite trope of mine: a young man is in charge of taking care of girl much younger than himself.  (Perhaps the reason for my predilection lies in that I have a sister 10 years younger than myself, so identification is easy.)

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Shinkuro works as a dispute mediator–more like a dispute finisher considering most disputes are ended with his fists–for a capable, mysterious woman named Benika.  At the start of the manga, we already know that he’s been taking care of Murasaki, a young girl from a powerful, incestuous family.  You see, she’s been destined to marry his older half-brother.  She warms up to Shinkuro because of his gentle and strong nature.  However, her family comes after her, and Shinkuro must display all his martial skill to finally free Murasaki from this fate.  Then, the action turns toward a criminal syndicate, which decides to make Shinkuro himself a target.

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Besides the fights, this manga excels in delineating the relationships between the characters, i.e. Shinkuro and his ever expanding harem.  The manga manages to balance the romance and slice of life chapters very well with the action packed ones, which means that the reader is never bored.  Everything works to keep the reader turning pages, and I look forward to each new chapter of this ongoing manga.

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Lastly, I was fortunate to find the manga Sengoku Youko.  This is another ongoing manga, but it’s set in fuedal Japan as a historical fantasy.  This manga is a very character driven work, the fights and the plots are rather simplistic.  The characterization goes a long way to make up for these flaws though.  I must comment that the setting feels much like Inuyasha: youkai and samurai are juxtaposed to each other during the Sengoku Era.  Also, traveling is a major part the action, and the side characters all display prejudices of some kind or another, human-hating youkai or youkai-hating men.

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Our heroes, Jinka, Tama, and Shinsuke, meet while the first two were on a bandit hunt.  Tama unsuccessfully tries to convince the bandits that they are leading an immoral life.  At which point, Jinka, a hanyou, is forced to beat them all down.  Jinka has a strong prejudice toward human beings, while Tama, a fox youkai, believes humans and youkai must be judged on an individual basis.  Their adventures lead to them picking up one more party member and discovering an insidious plot by Tama’s mom and her human lover.  This is a great manga for light reading, especially if you liked Inuyasha.

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I hope that you enjoyed these reviews.  Pressing work will deter me from blogging for at least a week.

A Medieval Interrogation

Having read several articles based on this series of chain posts, the thought that someone would select me as part of it never crossed my mind.  But, Marlin-sama of the blog Ashita no Anime has tagged me, so I will do my best to answer his questions and find people to tag.  Here are the rules:

Introduction

  • Each person is supposed to follow the rule of fives. You are allowed to ask 5 questions, after which you can tag up to 5 bloggers by hyper-linking to their blog; 5 questions because it’s not too many to flood another blogger and occupy too much of his/her time, but yet a large enough number to ask your most important questions, and 5 bloggers to avoid spamming. Hence, prioritize your questions, and who you wish to ask!
  • Those tagged are obliged to answer the questions in a blog post, and after which, they are entitled to create their own 5 questions and tag 5 other bloggers, so on and so fourth. You should answer your own 5 questions as well. You are allowed to tag the person that tagged you in the first place. Also, copy and paste this section on your blog so others can understand how the game goes.
  • In the case where a blogger strongly refuses to answer a question, he/she must instead post a nice anime image, wallpaper or cosplay picture, et cetera in response to that question.
  • To make things interesting, a blogger can include wildcards in his/her 5 questions by placing an asterisk, (*), after which those tagged are obliged to reveal something interesting about themselves that others did not previously know. There is no limit to the number of asterisks one can place (which means there can be up to 5 wildcard questions).
  • Anyone can feel free to start the game; you don’t necessarily need someone to tag you. Just create your 5 questions and tag your 5 people of choice. However, the catch is that you must answer your own 5 questions as well.
  • To potentially prevent an endless game, this round of games will end on the 8th September 2012, 12pm JST (GMT +9). After which, no more bloggers can tag others to answer their questions.

Here follows the questions and my answers to them:

Q1. What is your favorite anime of all time?  Then, objectively speaking, what do you think is the best anime of all time?  Explain why you chose these anime (especially if you chose the same anime for both questions).

For me, Rurouni Kenshin stands as my favorite anime.  This is the show which propelled me into anime, so I might be a little biased; but I’ve yet to find an anime which has better characterization or discusses its themes better.  This series does have drawbacks: overlong speeches, too many flashbacks, the first and last seasons are rather episodic, and the final season was badly done and not based on the manga.  (I consider that season as unworthy of being accounted with the first two seasons.)  But the first two of these drawbacks help the viewer to benefit from the technique of parallelism, which Nobuhiro Watsuki employs to great effect in delineating his characters and highlighting the themes.  I especially enjoy how similar the villains are to the heroes; but the villains deviate slightly from the right path, often having high ideals which are slightly twisted.  This makes the difference between the heroes less black and white and the characters more interesting to examine.

The fights of Rurouni Kenshin and the animation are also very beautifully done.  Kenshin vs. Saito is considered by many otaku to have been one of the greatest fights ever animated.  The tension between the two combatants is palpable, and the whole fight comes across as very realistic.  Qualities which bring the audience to the ends of their seats and makes them feel every blow.  The overall animation for the show is top notch, and the audience is treated to the bonus of seeing characters which look more Japanese than one finds in the usual anime.  May I add that this show weaves in historical detail better than any other anime?  So much so that many people (your humble blogger included) have passed Japanese history tests from what they learned on this show.

You’re going to think me very provincial; but, for my objective best, I’m choosing Samurai X: Trust and BetrayalSamurai X has more focus than the TV show, thus eliminating many of the drawbacks found in the TV show.  Also, the atmosphere is much darker and more tragic: Rurouni Kenshin makes one wish they were born a samurai and could participate in duels; Samurai X makes one frightened even to pick up a katana.  When people get cut down, the viewer feels their agony.  The swords even seem to emanate cruelty.  This atmosphere is very fitting for the dark days of the Meiji Revolution.  By the way, let me also say that AnimeNfo agrees with me in ranking this OVA as the best anime.

Q2. Same as question 1, but for your least favorite anime and what in your objective opinion is the worst anime of all time (for this question try to choose an anime for which you’ve actually watched a respectable number of episodes and try to avoid small titles that nobody has ever heard of).

My least favorite anime is Cat Soup.  My dear readers might have even been able to guess my response.  I remember reading a review that claimed anyone’s who’s not a religious nut would love it.  Though that puts it a little harshly, the term aptly fits me.  It contains a rather reprehensible depiction of God, I didn’t care for the animation, and it consists of a series of scenes rather than a story.  Fortunately, most of the details have long since been forgotten.

My first choice for objective worst would have been Ghost Hound had it not been for the stipulation that the show be well known.  That show entices the viewer by its weirdness, gives him enough interesting details to inspire hope that the show will become good, and makes one suffer through one dull episode after another before one is forced to throw in the towel.

If four episodes may be considered respectable, I choose Dragonaut: the Resonance for objective worst, which tries to lure the viewer into continuing to watch through having well-endowed women all over the place and a modicum of action.  Nothing else to it.

Q3. What initially led you to anime and what keeps you interested in anime?  Do you think it will continue to be a lifetime passion?  Why or why not?*

As an avid lover of pre-modern pagan cultures, such as Rome, Athens, the Vikings, and Japan, it was only a matter of time until I discovered anime.  My father used to be an avid practitioner of Karate, has a great interest in Eastern philosophies and religions, and was dubbed an honorary Asian in college.  Naturally, some of his tastes, especially for martial arts and its philosophy, were impressed on me.  In addition to martial arts, I loved watching samurai movies.  These cultures all seemed to have a strong moral bent, which especially attracted me to them.

Then, I discovered that certain shows belonged to a genre called anime.  I saw Rurouni Kenshin on Toonami, discovered the manga Inuyasha, and found myself hooked.  As for whether it will remain a lifelong hobby, I must confess to having an aversion to clinging to anything–no matter how pleasant.  Despite the fact that I do very much enjoy anime, several of my other hobbies have been pushed aside for anime, and I want to make more time for those.  So, while I can see myself remaining an otaku for several more years, I hesitate to say that it will be a lifetime passion.

Q4. Do you think it’s possible to integrate or use ecchi content or themes to enhance a story rather than simply as fanservice that detracts from the overall work?

Easily, but it’s not advisable.  For me, the best example of nudity put to good effect was in Elfen Lied, where it highlighted Lucy’s deep-set desire for innocence.  In the Garden of Eden, the nudity of Adam and Eve symbolized innocence.  Here, the fact that so many terrible things happen around nude people stresses that innocence is nowhere to be found in this world.  But, many people cannot see through the characters’ bare bodies to perceive this theme.  For them, nudity turns them away from the show.

Such a pleasant face.

Freezing is a perfect example of ecchi elements ruining a show.  Frankly, this is a spectacular show.  The only drawbacks to it lie in that the plot was rushed and not enough details about the setting were given to the audience.  It has strong, likeable characters, stunning fights, outstanding animation, a touching relationship between the hero and the heroine, and several gut-wrenching situations.  Despite all of this, several people absolutely despise this show.  They become totally oblivious to this show’s good points in the face of all that fanservice.  Amusingly, I remember one reviewer who claimed to have been enticed by the fanservice before becoming so wrapped up in the show’s action that he ceased to notice it.  How much more popular would this show have been if only they had toned down or even eliminated the fanservice?

Q5. I think many would agree that some otherwise respectable anime have been let down by lackluster endings.  What anime do you most want to change the ending—not because you disagreed with it, but for quality purposes.  Then how would you change it and why?  (I understand spoilers may be unavoidable when answering this question)

Well, the ending of Scrapped Princess seemed a little unnatural and ludicrous to me–the triangle of land and sea on which the remnant of humanity lived fitting back into the world and everything.  I would have had it end with a final showdown between the aliens who had imprisoned humanity and our heroes.  It seemed a little inconclusive in that we never meet the original foes of humanity.  Also, Leopold would get the girl and ditch the Mr. Soopy suit: the ending had me feeling too sorry for him.

Amusingly, I discovered that AngryJellyfish has also tagged me into the game with a set of five questions.  So, let me answer those five before going on to mine.

1. Which anime protagonists (if any) do you feel you’d be able to do a better job than if you were in their situation?

Well, there are plenty of wimpy heroes or harem protagonists I could do a better job than.  (I tend to be decisive and stubborn about things, which would come in handy in many situations.)  But among a slightly higher class of protagonists, I’ll select Kai Kudou of E’s Otherwise.  Basically, he lacks any kind of good sense.  Give me his power and place me in the same situations, I’d probably do better–except that I’d be a lot more boring to watch.

2. Which popular anime series do you not like, or find overrated?

Any of the Big Three.  Even if they are entertaining, how can one justify creating a series of several hundred episodes without any closure in sight?  Why would one give so much of their precious time to just one series?  It appears absurd to me.

3. What manga or anime series would you like to see fansubbed/scanlated in your language, or licensed in your country?

Americans have it too good.  It seems that everything is sooner or later available to us.  So, I’ll have to go with the classic Ashita no Joe as a series which I’d like to see licensed in this country.  It’s very highly regarded among the Japanese, seems to have really strong characters, and Hajime no Ippo, which I highly enjoy, was likely based on this–the main difference being that Ashita no Joe has an anti-hero, while Ippo’s your perfect hero.  So, if Funimation or another company were to license boxed sets of this, I’d be one of the first to buy it.

4. What series would you recommend to someone who has never watched any anime?

That series would be Fullmetal Panic Fumoffu.  I’ve successfully hooked several people on anime through this show.  You see, most people expect cartoons to be centered around comedy, which is why Fumoffu, a show which nearly makes the viewer die laughing, offers a great introduction.  From there, you can expand their perception of the stories a cartoon may convey.

5. Do you have any weird anime watching habits?

Well, I always have to be drinking something when watching anime.  This beverage is usually tea.  Sometimes, I see it as a good time to break out some hard liquor or port–even if the anime does not require it.  If I have friends around, I’ll offer some kind of alcoholic drink.  Though, this turned out to be a big mistake one night, when a friend of mine and I were watching the sequel to Geobreeders.  I’m not sure whether it was the two bottles of wine or the fact that we were talking too much, but we did not remember a single thing about the OVA the next day!  Which may mark the only time alcohol has caused me to forget things.

If I’m not drinking something, then I’m oiling go stones, which certainly counts as weird.  However, it’s not as much fun to play go if the stones aren’t shiny!

Now for my questions and answers:

1.  How else are you involved in Japanese culture?

In my case, I love martial arts philosophy and used to practice Judo and Aikido, the latter of which I’d like to return to someday.  I study the Japanese language, read light novels both in Japanese and English, and would love to graduate to more sophisticated Japanese literature.  I also enjoy Japanese teas and wish to study their tea culture more.

Morihei Ueshiba, the founder of Aikido

2.  What anime turned you into a fan?

In case, you forgot.

3.  Who are your two favorite Japanese VA’s (one male and one female) and two favorite English VA’s (also one male and one female)?  For the English VA’s, you can substitute actors in another non-Japanese language.

I used to be more into this facet of fandom than now.  But, here are my favorites:

Ken Narita, especially for his roles as Sesshoumaru of Inuyasha, Jeremiah Gottwald of Code Geass, and Durand of Le Chevalier D’Eon.  I particularly love deep and powerful voices.

Megumi Toyoguchi, especially for Revy of Black Lagoon, Yao Sakurakouji of Miami Guns, Layla Ashley of Avengers, Honoka of The Third: The Girl with the Blue Eye, and Reni Vikuro of Innocent Venus.

Kirk Thornton for his roles as Hajime Saito of Rurouni Kenshin, Jin of Samurai Champloo, and Brandon Heat of Gungrave.

Laura Bailey for her roles as Michel Volban of Glass Fleet and Sylvia Ban of Solty Rei.

4.  Out of the shows you’re currently watching, which is your favorite?

For me, the answer’s Hunter X Hunter.  I love how much intellectual prowess the fights and the obstacles placed before our heroes require.  This makes is different from the run-of-the-mill shonen.

5.  What is your favorite era for anime and why?

My answer combines two time periods usually separated, but I feel that the earlier one still strongly influenced the latter: the late 90’s through the early 2000’s.  Some of my favorite shows were produced during this period.  Also, computers played less of a role in the animation of these days than now, and I particularly like the human touch one sees in these shows.
Of course, the anime of prior eras relied even less or not at all on computers, but the character designs were not as elegant.

Well, that’s enough writing for one post.  I’m trying to think of people who haven’t been tagged yet.  Here it is:

ChibiOtaku010

Naru of What is this “Culture” you speak of?

John Samuel of Pirates of the Burley Griffin

SnippetTee of Lemmas and Submodalities

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I hope that you enjoy this little game!