Forgetting One’s Sins

Dear Readers, the idea for this article came from my reminiscences about my Alma Mater, Hillsdale College.  I feel that I was too shy to take proper advantage of the great minds and personalities which surrounded me there.  Among my reminisces, one professor stands out: Dr. Reist.  He was a hoot.  A professor not easily forgotten.  I’ll never forget the first time he walked into my classroom:

He says: “My wife broke her leg.”  The students collectively gasp.  Then, Dr. Reist says: “I told her having sex standing up was dangerous.”

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That’s a masterful way to break the ice!  One day, when he noticed people were not participating or had not done the readings, he told us that we weren’t free.  Which is an interesting way to put it!  And sealing one’s lips as one looks down at an unfamiliar text hoping that the professor won’t call on one may be compared to slavery.  After all, how much more preferable is it to be able to gaze steadily upon the teacher confident in being able to provide an answer to any question and being free to participate or not as you list?

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This professor, a fellow New Jerseyan, had once been Catholic but converted to a variety of Protestantism–even became a minister.  I suspect the reason for his conversion lay in that he felt Catholicism’s emphasis on faith and works placed too much emphasis on personal merit than on God’s election.  (But, even our merits are God’s gifts to us.  The idea of cooperation between grace and free will tends to overcomplicate matters from most Protestant perspectives.)  However, he seemed grateful for many of the lessons he learned as a Catholic.  For example, he once told us: “Do you know that it’s a sin to forget your sins?”

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And it certainly is: the sin of pride.  In our unending process of repentance, we ought always remember where we have been and all the patience God has shown us and continues to show us despite our iniquity and lack of amendment.  Even if we claim that we have progressed far from where we once were, that does not cancel out the fact that we did not deserve to be extricated from our wicked ways of living–that it was pure Mercy which brought us out of each vicious circle.  Even after confession where our guilt is washed away, can we ever stop mourning for the wounds we have placed on Christ’s body or forget that we still deserve temporal punishment and have deserved everlasting flames?

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So, whenever a non-believer claims that Christians have a nonchalant attitude toward sins because God is so ready to forgive, you can tell him that this is the attitude of the proud or the ignorant.  An educated Christian knows that he ought never stop pouring tears into his pillow or cease remembering the wounds of Christ until Christ himself has wiped away every tear  and welcomes us into Our Father’s house.

Mirai Nikki: The Heretic Successor of Elfen Lied

Well, dear readers, I finally broke down and decided to watch Mirai Nikki due to my sister’s insistence.  I have seen about thirteen episodes of this well known series thus far, and find it rather enjoyable.  The first thing to strike me was how similar it seemed to Elfen Lied: the insane, pink-haired, crazed killer, many violent, bloody deaths, and the abnormal fighting abilities of the contestants.  Despite these similarities, there is a difference in mood between the two shows, which boils down to the variance with which they treat the concept of evil.  (I can see it all now: people who consider Elfen Lied a vacuous show are going to hate this article.)

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Haven’t you noticed this yourselves?  The plot of Mirai Nikki is centered around a game prepared by “the god of time and space” in which the contestants annihilate each other in order to gain the god’s title.  Creating the setting of a game does much to minimize the effect of the atrocious crimes committed therein.  All the casualties become pawns in a chess game.  This takes away from the impact of say killing scores of school children, taking invalids hostage, wretchedly treating prisoners, and even creating a twisted young child to be killed for the purposes of the game–I’m referring to a diary holder.

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Conversely, Elfen Lied causes us to feel sorrow whenever someone is slain or even when they are merely struck.  The sinfulness of the action strikes us.  I believe this involves the fact that Lynn Okamoto was probably influenced by the religion of the Lutheran minister who wrote the eponymous poem.  So, we are struck by a sense of sin pervading the show.  Lives are lost; but, the wickedness of these acts are not lost on us, as they tend to be in Mirai Nikki.  So, the main divergence between the two shows appears to be religious: the Christian God in Elfen Lied–albeit, with the Lutheran conception of the depravity of man tainting the world–vs. the rather Assyrian god of Mirai Nikki, who enjoys playing with other people’s lives.

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The curious case of #9, Uryuu Minene, offers the most striking example of how Mirai Nikki‘s world misunderstands the problem of evil.  We are introduced to this character as a monster who’s willing to sacrifice school children in order to achieve her goals.  To speak plainly, she’s rather loathesome, right?  Then, she fails in her object due to Yukiteru taking out her eye, she suffers greatly in making her escape from the police, and endures humiliation, pain, and betrayal from the “justice” besotted contestant (the conception of justice held by this character makes one fear for how the manga-ka views justice himself), and goes on to become perhaps the most likeable character in the show–at least, in my case.  (Could it be a perceived resemblance to Revy of Black Lagoon?)

Then again, I might be reaching too hard or nostalgic for an old favorite.

Then again, I might be reaching too hard or nostalgic for an old favorite.

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How is it that we can so easily warm up to a character who’s first shown us committing heinous crimes?  The suffering which followed her debut might be said to partially atone for her wrongs, but can they really be enough?  Her character even undergoes a change as she becomes level-headed, and we only rarely glimpse her maniacal smile.  And so, evil seems to result from insanity rather than malice.  We cannot really hold an insane person guilty, therefore no need for atonement.

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By the deep seated guilt of many of the characters, Elfen Lied acknowledges that, no matter what evil influences have twisted a person’s personality, they still sin by their own free choice.  This visibly taints their souls and places a burden of judgment upon them.  We, the viewers, sense this and develop true antipathy toward certain characters.

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An exception to this rule in Elfen Lied is Lucy herself.  Her very guilt makes her sympathetic.  She would like to obtain forgiveness, and Kohta tries to give it to her.  However, Lucy knows in her heart of hearts that murder cannot be taken back, that the blood tainting her soul can’t be brushed aside or blamed on anyone else.  The only person who can erase such a thing is found in the lyrics of the opening song to that show: “O Lord, O Sacred Fire, have mercy!”  For God alone can forgive sins.  Excuses based on one’s mental state or tragic background don’t cut it.

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Ultimately, Elfen Lied‘s biggest failure in understanding human nature is the doctrine of total depravity which runs through the show.  But, it still knows human nature better than Mirai Nikki.  This makes it the better show of these rather similar works.  So, what do you think, my dear readers?  Which show really has a better perception of human nature and the mystery of evil?