An interesting take on the role of Mako in Kill La Kill.
There’s something a bit off about Mako Mankanshoku.
The universe of Kill la Kill takes care in setting its presentation as a stage. Everything appears, six episodes into the performance, to follow a set script. Due to the death of her father, Ryuko Matoi is given a reason for arriving on the stage of Honnouji Academy, and her entrance additionally provides her the means, through Senketsu, to discover what she wants to know. To uncover her father’s mysterious past and the truth behind his demise, she must go through a series of weekly challenges by battling various members of the student body. If this sounds vaguely familiar, then you may have watched Revolutionary Girl Utena, which Kill la Kill is both influenced by and refers to directly. In turn, Revolutionary Girl Utena borrows heavily from classical theater and The Takarazuka Revue (a Japanese, all-female, performance troupe) in both…
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